The work of multidisciplinary artist and absurdist Björn Zielman (1992) hits like a cacophony. A sense of overstimulation lingers after witnessing his work; it is intentionally eye-deafening. His practice exists in a disruptive dialogue with its environment, intervening within architectural spaces by deploying a chaotic arsenal of media—ranging from monumental posters and QR codes to AI-driven hallucinations and gravity-defying objects.

Zielman practices hysteria, stimulates madness, and cultivates nonsense as a direct rebellion against the shackles of oppressive rationalism. By blurring the boundaries between physical reality and artificial intelligence, his work stands as a total and unequivocal rejection of reason.

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"The free spirit will destroy these values by dealing with the illusions on which they rest, the bargaining they involve, and the crime they commit by hindering the clear intelligence in the fulfillment of its task." — Albert Camus